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Twelfth Night, by William Shakespeare
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
- Published on: 2008-11-13
- Original language: English
- Dimensions: 8.75" h x .21" w x 5.75" l,
- Binding: Paperback
- 90 pages
From School Library Journal
Grade 9 Up-William Shakespeare's comedy of disguised and deceptive love is entertainingly brought to listeners on these high-quality audiocassettes. Using the complete text from the New Cambridge Shakespeare text, the production presents a full cast of accomplished Shakespearean actors and actresses who skillfully convey the emotion and meaning, confusion and humor of this popular play. When twins Sebastian and Viola are shipwrecked and separated off the coast of Illyria, each believes the other is dead. Viola disguises herself as a boy, becomes a page of Duke Orsinio, and falls in love with him. The Duke is hopelessly in love with Olivia, but she is in the process of mourning her brother's death and becomes infatuated with Viola as she/he delivers messages for the Duke. When Sebastian shows up, Olivia confuses him with the Duke's page (Olivia) and marries the astonished young man. All is cleared up eventually when Viola and Sebatian meet and recognize each other. In the midst of all of this romantic confusion, servants and family members provide comic relief with their pompous, pretentious, and sometimes inebriated behavior. Early English music and excellent sound effects are sparingly included, yet add greatly to this performance. Reading along with the text is optional as the production moves at an easy-to-follow pace, and characterizations are clear and captivating. A booklet with background and a synopsis of the play, photos and descriptions of each cast member, and starting points for each scene on the proper tape side is a useful addition. For its entertainment value or as a supplement to the curriculum, this excellent audioplay is highly recommended.
Marilyn Higgins, Metuchen High School, NJ
Copyright 2000 Reed Business Information, Inc.
From Booklist
Gr. 3-6. The latest in Coville's series of retold Shakespearean plays, this volume provides a short, prose version of Shakespeare's Twelfth Night, a romantic comedy that offers young people such promising elements as separated twins, a woman disguised as a man, a drunken buffoon, courtship, swordplay, mistaken identity, and a practical joke. Though simplified, the story is intact and bits of the original language are preserved. Large-scale ink drawings, warmed with tints of color and shaded with cross-hatching, clearly depict the action. As Coville states in his Author's Note, "Twelfth Night remains one of the most read and performed of Shakespeare's plays." Children looking for a preperformance introduction to the play's twisting plot will find this an appealing choice. Carolyn Phelan
Copyright © American Library Association. All rights reserved
Review
'refreshing and of immense practical use ... Sources and provenances are fascinatingly discussed.' Christopher Morley, Birmingham Post Weekend
`The commentary on Twelfth Night is alive with the editors' feeling for the play in performance.' M.M. Mahoud, University of Kent, YES, 27, 1996
Most helpful customer reviews
12 of 12 people found the following review helpful.
Excellent addition to your 12 Night shelf
By Sammy Clemens
There are several really worthwhile editions of 12th Night, but don't overlook this one.
The Foreword and notes are excellent and useful; the format's sturdy and readable.
It's a good copy to have for the scholar/performer/director.
14 of 15 people found the following review helpful.
Understanding Shakespeare
By Amazon Customer
For a long time I would not let my students use No Fear because I wanted them to be able to read the play in Shakespeare's words, but when I tired to discuss the plays with them, I always felt like I was the only who read the play. (I use it for Hamlet as well.) After I let them use it the first time, I was so excited to hear my students' comments on the play because they actually understood what they were reading. When they write about the play and when we discuss it, we use Shakespeare's words. We also compare the modern words and Shakespeare's words. I really like the No Fears and recommend them to people who really want to understand Shakespeare. I have taught high school and am now teaching at a university, so I know the No Fears are great on both levels.
17 of 20 people found the following review helpful.
Naxos complete recording the best so far
By F. Behrens
Please notice that G.H.'s in-house review above does not refer to the recording pictured above, nor do any of the reviews so far. What follows refers only to the Naxos set.
There are now three complete recordings of available. We have the older and elegantly read version on Harper Audio with Dorothy Tutin as the best Viola of the lot. Acted with a bit more verve though with less poetry is the Arkangel Shakespeare recording with a Scottish Malvolio and a cast of younger sounding actors who are making names for themselves in Great Britain. However I am very impressed with the "Twelfth Night" that is one of the latest additions to the Naxos Classic Drama series.
By far, this is the best-produced "Twelfth Night." One actually feels he is hearing an actual stage performance with all of the action but with the loss of none of the poetry. Perhaps the Viola does sound a little maturer than imagination would have her and the Sir Toby Belch a little less belchy sounding than others. None of the Festes sing as marvelously as did Peter Pears on the long deleted Marlowe Society recording (also with Tutin); however, on this Naxos set David Timson stays nicely in tune--and directs the production to boot. And he keeps things moving neatly along, which is saying a lot for Shakespeare recordings.
The CD version has the advantage of excellent tracking cues for not only each scene but for key points within the scene. The Harper CDs give a new track only for each new scene and the tapes (of course) are quite useless in that regard. The Arkangel series at present exists only on tapes but they are planning to reissue the entire series on CDs. So this Naxos release is the one of choice so far.
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